Josiane Keller

what is real?

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  • Artist Statement – What is real?
  • CV
  • Handabbeisser (Blog)
  • 3D Clay
    • Dancers – human shaped
    • The Catalogue of Life and Death
      • sheep or shadow?
      • sheep and lambs
      • snakes
      • teapots and pseudo-functional objects
      • nature objects
  • Studio KOMOREBI (Moving Images)
    • dance films
    • Arupsu no Shojo 2 (2020/21)
    • Edie – screen test & Electric Bird (2019)
    • Screen Tests
    • commissions, music videos and other
    • projection art indoor and outdoor
    • ホテル Hotel – films
    • I anyways live until I die (2014)
    • Sallie Gardner at a Gallop 2013
  • Photography (Still Images)
    • lens-based images to be viewed on computer
    • universe repeated (2011 – ongoing)
    • Contact Sheets
    • House
    • ホテル Hotel (2016-’18)
      • ホテル Hotel – project documentation
      • ホテル Hotel – snap shots
    • Haifischflossen – constructed photographs of women
      • Madeleine – 狂乱 “Kyôran” (2015)
      • Brassai, and others (2014/16)
      • Prostitutes (2008/2014)
    • The Elephant – Book Cover project (2013)
    • I’m going into the forest (2014)
    • Each reflection of myself echoes a different emotion at me (2012)
  • Painting
  • Drawing
    • ランビ (“Lambi”) – alternative manga
    • 浦島太郎子 (“Urashima Taroko”) – alternative manga
    • What is the difference if I am here or not here? – Fukushima Daiichi (2011)
    • Usagi-chan – Graphic Novel (2008/09)
    • Usagi-chan – Cartoons (2008/09)
    • early drawings (2001)
  • Other
    • ABOPevent – alternative cinema event
    • Fluxus Poster, Flyer, Tickets
    • The Book Of Clowns – a FLUXUS book for artists about art (2015)
    • Cleveland (2012-2015)
  • Commissions
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  • vimeo
  • instagram clay
  • instagram drawing
Handabbeisser (Blog), universe repeated (2011 - ongoing)

riding a donkey (2018)

J.K.
March 26, 2018

 

Josiane Keller - riding a donkey

Josiane Keller “riding a donkey” (2018)

Alexander, donkey, riding, Vincent
PreviousPrevious post: riding the donkey 1 and 2 (2018)
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